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Embodying Trauma: Intersex Identity, Authorship, and Politics of Representation in Love, No Matter What!

 


Embodying Trauma: Intersex Identity, Authorship, and Politics of Representation in Love, No Matter What!

Swati Kumari,

Ph.D. Research Scholar,

Central University of Jharkhand,

Ranchi, Jharkhand, India.

 

Abstract: “Intersex is trouble” as stated by Morgan Holmes, “It is trouble for the families of children so diagnosed; it is trouble for the medical specialist who make careers out of neutralising “abnormality”; it is trouble to a system of sex/gender that insists that bodies are oppositional in/by “nature” limited by an absolute dimorphism” (Holmes 13). The intersex body is a natural biological variation that only becomes "pathological" when an authority decides that heterosexuality is the only functional norm. This paper aims to critically examine the representation of Intersex in Indian literature by focusing on the ways in which intersex identities are constructed in the literary discourse. Using Love, No Matter What! (2016) as the selected text, this study aims to interrogate how narrative authority operates in the depiction of non-normal intersex bodies.  Drawing on literary trauma theory and representation theory, this paper argues that intersex individuals are represented in a limited manner in contemporary discourse and such narratives risk reproducing epistemic violence by mediating intersex voices and simultaneously rendering them silent. The study further explores how their trauma is represented, or negotiated when narrated by an external authorial perspective. By analyzing the tension between representation and lived reality, this paper raises critical questions about how such mediated storytelling impacts the construction of intersex identity in Indian literature.

Keywords: Exclusion, Intersex, Representation, Stigma, Trauma

Introduction

Intersex or Person with intersex traits is a term to describe a person whose sex assigned at birth does not neatly fit into the socially accepted binary of ‘male’ or ‘female’ because they have genitals, hormone production levels and/or chromosomal makeups that are ambiguous or non-binary. Oxford English Dictionary defines the term Intersex as “Having physical characteristics of both sexes; having external or internal sexual organs that are not clearly male or female…”

Intersex conditions arise due to Differences in Sex Development (DSD), earlier called Disorders in Sex Development. A variety of conditions that leads to atypical development of sex characteristics, including one or more of the following such as external genitals, internal reproductive organs, atypical pattern of X or Y chromosomes, or sex-related hormones. The term “Intersex” came into being in 1917 when Richard Goldschmidt, a German geneticist used this term (Intersexuality) in his famous text "Intersexuality and the Endocrine Aspect of Sex" in the realm of biomedicine (Goldschmidt 433). Prior to this the term used for the people and/or animals and/or plants with atypical gentiles are “Hermaphrodite”. The goal of the term Intersex, as used by activists in the 1900s and early 2000s, was “influenced by queer identity politics” which attempted to dismantle the binary sex system and considered heteronormativity as an outdated mode of oppression. The intersex studies, therefore as a field, is currently emerging and distinguishing itself from the larger and more established disciplines of queer and trans studies. Alice Dreger, a well known historian and intersex activist writes in her renowned text titled Galileo's Middle Finger (2015) which is a field study based on intersex lives, when  people ask how transgender is different from intersex, I assert intersex and transgender people have historically suffered from opposite problems for the “same reason”. Whereas intersex people have historically been subjected to sex “normalizing” hormones and surgeries that they have not wanted, transgender people have had a hard time getting the sex-changing hormones and surgeries they have wanted. Both problems arise from a single cause: a heterosexist medical establishment determined to retain control over who gets to be what sex (Dreger 53).  The trouble with Intersex is[....] decidedly social, but the burden of cost for the trouble to the social system is borne primarily by intersex infants and children (Holmes 13).

Apart from these shared problems, intersex and transgender people have very different sets of problems too. To oversimplify it a bit, we could say that intersex is primarily about how you are born in terms of your sex organs, and transgender is primarily about how you feel in terms of your gender identity (Dreger 9). These people with ambiguous genitals are assigned with a gender at their birth by their parents and medical practitioners after examining their organs or after neutralising their assumed abnormality. However, research suggests that after hitting puberty, the intersex usually doesn't feel comfortable with the gender forced on them at birth, as they can have any gender identity, and also any sexual orientation of their choice. Many a time they think of themselves as beyond the binary too. Being intersex can be a lonely living because it is a rare and little-known condition. Many intersex people still lack a true sense of community. It is seen that even in the spectrum of rainbow they are lesser known ones. In the literary world too they has a limited presence, as stated by Viola Amato in her text Intersex Narratives: Shifts in the Representation of Intersex Lives in North American Literature and Popular Culture (2016) “Intersex bodies are strikingly visible because they challenge cultural notions of normative femininity and masculinity, and as such disrupt a fundamental structuring principle of western cultures and societies, i.e. the gender binary. Ironically, it is this heightened visibility of intersex bodies that entails their invisibilization” (Amato 69). People who identify as intersex are marginalised on a societal level because they are considered as “Patholized” and in the literary world because they have limited significant representation. Furthermore, the surgery that intersex children frequently undergo tends to reinforce stigma surrounding anything other than obvious gender differentiation; implying that there is something wrong with them and that it needs to be corrected. This sense of being wrong leads to lifelong shame and stigma which further reads as trauma. Cathay Caruth in Unclaimed Experience: Trauma, Narrative and History (1996) suggests that, “As modern neurobiologists point out, the repetition of the traumatic experience in the flashbacks can be itself re-traumatizing; if not life-threatening, it is at least threatening to the chemical structure of the brain and can ultimately lead to deterioration. And this would also seem to explain the high suicide rate of survivor”(Caruth 63). This is equally applicable on intersex individuals. They start hiding their identity from the world and become isolated. This increases the risk of severe psychological, mental and in some cases physical disorders and leads to suicidal behaviour.

To understand the difference of Intersex and transgender, first we have to focus on the basic concepts like sex and gender. It is a popular debate that gender is something we can put on or which is constructed but sex is biologically determined. This argument implies that sex organs are gendering objects. Here Butler suggests that “If the immutable character of sex is contested, perhaps this construct called ‘sex’ is as culturally constructed as gender; indeed, perhaps it was always already gender, with the consequence that the distinction between sex and gender turns out to be no distinction at all” (Butler 11-12). This outlook leads to a more complex understanding of sex and gender, which in turn accommodates the idea that both can be socially constructed or based on cultural narratives as opposed to being inherently separate entities bound by purely biological means. It suggests, in other words, that sex is just as socio-culturally constructed a category of meanings as gender. And the suggestion is, it's best to see them together as interwoven notions instead of differentiating one.

Now in the case of intersex, it is not the debate of sex v/s gender; instead it is a notion of acceptance of non-binary within this public sphere. The popular belief of neither man nor woman made them inhuman in societal perspective. Intersex infanticide remains a major problem in southern and eastern Africa, South Asia, Brazil and China. The National Institute of Health (NIH) recognises intersex people as a sexual and gender minority (SGM) population affected by health disparities, highlighting “DSD populations” as a priority area for research. So, the objective of this study is to look at how narrative authority operates in the depiction of non-normal intersex bodies.

To understand this, the initial phase of this research includes textual analysis through the close reading of the select text. This phase of research will focus on understanding the language, symbol and patterns of the texts, which further helps to understand the way authors focus on their historical, cultural, social and political point of view. The second phase will begin with the discourse analysis. The discourse analysis aims to look at the overall meaning conveyed by language in context (social, cultural, political and historical background). At this phase the research intends to show the fact that how such different overall meaning of the text serves as a means of promoting some form of social change or meeting some goals.

Representation of Intersex in Literature

Serena Nanda in her text Neither man nor woman: Hijras of India writes, Traditional Hinduism makes many specific references to alternative sexes and sexual ambiguity among humans as well as gods. Ancient Hinduism for example, thought that there was a third sex which itself was divided into four categories: the male eunuch, called the “water-less” because he had desiccated testes; the “testicle voided,” so called because he had been castrated; the hermaphrodite; and the “not woman,” or female eunuch (which usually refers to a woman who does not menstruate) (Nanda 21-22). The mention of other sex is always there in ancient Indian scriptures. Epics Ramayana and Mahabharat have several depictions of eunuch characters such as Brihnala or Shikhandi or Ila (Shikhandi and Other Queer Tales They Don’t Tell You). The third sex which is defined as Tritiya prakriti is considered as an integral part of Indian society since ancient times. The scriptures like Ardhnarish war defies the notion of compulsory heterosexuality and gives a glimpse of a gender liberal society. In The Mughal period Eunuchs were seen as respectable members of the society. They were used to be sufi saints, ministers of the king and guards of the harem (The Invisible: Tales of Eunuchs of India). The Criminal Tribes Act (1871) which was passed by British India’s governor-general targeted ‘eunuchs’ (a stigmatising colonial term for transgender), labelled them as criminals, and ostracised their public movements. This colonial act plays a major role in the exclusion of Indian third gender. Initially the third gender community of Indian consists of primarily three categories of people, the intersex, the castrated males and the male who lives as a female. In modern India, the first judicial mention of intersex persons was in NALSA v Union of India (2014) where the Honourable Supreme Court of India referred to the intersex identity under the transgender umbrella. Thereafter, the Madras High Court in a landmark judgement in Arun Kumar and Sreeja v The Inspector General of Registration (2019), prohibited sex (re)assignment surgeries on intersex infants and children. The term ‘intersex’ thereafter has been included under the Transgender persons (protection of rights) Act 2019, which has been recently passed, where a person with intersex variations is defined, but unfortunately there was no any specific protections, prohibitions and entitlement that reflect an intersex person’s experience. The 2016 bill was the first draft legislation to include the phrase ‘intersex' to connote persons with intersex variations within the transgender umbrella yet their visibility is limited. The prime factor behind the invisibility of intersex in the society is the less awareness about them. While the trans right movement is blooming as a celebration of one's own choice of gender identity, intersex persons working as a part of these movements have been invisible.

Analysis of Love, No Matter What!

 In the text Love, No Matter What! (2016), Ahuja represents an intersex child “Devi” who fights for her right despite every odd and for the first time we see an intersex child is  represented as the key character in contemporary Indian English literary discourse. The text traces the life of Devi, who was born into a middle-class family, and foregrounds the emotional, social, and identity-based struggles that emerge from this condition. While this novel attempts to represent the trauma of intersex identity, the narrative structure transforms institutional and structural violence into an emotional narrative of acceptance and love. The intersex body becomes a site of emotional empathy rather than political resistance, which reflects the limitations of mediated representation by non-intersex authors.

At the beginning of the text, the birth of Devi constitutes what Cathy Caruth describes as a “catastrophic event” that disrupts the normative flow of experience (Caruth 11). The revelation that the child does not conform to binary sex expectations produces shock, denial, and anxiety within the family, particularly in the father’s reaction. Trauma, in Caruth’s formulation, is not simply the event itself but the inability to fully process it at the moment of its occurrence, resulting in delayed responses and repetition (Caruth 4). In the novel, this delayed processing is evident in the father’s oscillation between rejection and reluctant acknowledgment, suggesting that the trauma is not resolved but continually re-enacted through social and familial interactions. Importantly, the trauma in the text is not confined to a single moment but unfolds as a continuous social process. Devi’s intersex body becomes the locus of what can be termed embodied trauma (Van Der Kolk 195), where the body itself is inscribed with social stigma, fear, and exclusion.

The narrative trajectory of Devi’s life, including her partial integration into the hijra community, further complicates the representation of trauma. On one hand, the hijra community functions as an alternative space of belonging, offering Devi a form of social recognition denied by her biological family. On the other hand, this movement also reflects the structural limitations imposed on intersex individuals, who are often forced into marginalized communities due to societal exclusion. From a literary trauma perspective, this displacement can be understood as both a coping mechanism and a continuation of trauma, as Devi negotiates identity within constrained social frameworks.

While trauma theory illuminates the experiential dimension of Devi’s journey, representation theory provides a critical lens to examine how this experience is constructed within the text. According to Stuart Hall, representation is not a passive reflection of reality but an active process of meaning-making shaped by discourse and power relations (Hall 25). In this context Love, No Matter What! does not simply depict intersex identity but produces a particular version of it; one that is deeply embedded in emotional and humanitarian discourse. Hall’s theory suggests that representation is inherently selective, highlighting certain aspects of reality while excluding others (Hall 28). In Ahuja’s text, the emphasis on emotional reconciliation and family acceptance may be read as a narrative strategy that renders intersex experience more accessible to a mainstream audience. However, this strategy also transforms intersex identity into a moral lesson centered on tolerance and compassion, rather than a site of political critique. The intersex body, therefore, becomes a vehicle for emotional engagement rather than a subject of structural analysis. In this light, Devi’s story is narrated through an external perspective that, while empathetic, remains detached from the embodied reality of intersex experience. This can be understood as a form of narrative ventriloquism, where the author speaks on behalf of the intersex subject. While the text attempts to give voice to Devi, the narrative ultimately reflects the author’s interpretation of intersex identity rather than a self-articulated experience. This raises the question: to what extent can intersex trauma be authentically represented by those who have not lived it? As Stuart Hall argues, representation is constructive: it produces the categories through which identities become intelligible (25).

The intersection of trauma, representation, and authorship in Love, No Matter What! thus reveals a complex dynamic. On one level, the novel performs an important cultural function by bringing intersex identity into public discourse; on the contrary it reproduces certain limitations inherent in mediated representation, where the intersex subject is constructed through external perspectives. Ultimately, the text can be read as both a site of visibility and a site of mediation. It makes intersex identity visible within Indian fiction, but this visibility is shaped by the author’s positionality and the demands of narrative form. The intersex body emerges as a site of trauma, empathy, and moral reflection, but it also remains constrained by representational frameworks that privilege emotional resolution over structural critique.

Conclusion

Komal Ahuja’s Love, No Matter What! occupies a complex position within intersex representation in Indian fiction. Through the lens of trauma theory, particularly of Cathy Caruth, the text presents intersex identity as a form of embodied and continuous trauma, shaped by social stigma, familial rejection, and identity fragmentation rather than a single event. At the same time, using Stuart Hall’s representation theory, the text can be seen as constructing intersex identity through a humanitarian narrative of suffering and acceptance, which generates empathy but risks simplifying structural issues. As Hall suggests, Within the arena of Cultural Studies, representation is understood not as a passive reflection of social reality but as an active site of meaning production (10). This duality underscores the need to critically examine not only intersex representation but also the politics of authorship and voice in literary discourse.

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