☛ Call for Paper for Special Issue on Cinema and Culture (Vol. 7, No. 3, July, 2026). Last Date of Submission: 30 June, 2026.
☛ Creative Section (Vol. 7, No. 2, April 2026) will be published in May, 2026. Keep visiting our website for further updates.
☛ Colleges/Universities may contact us for publication of their conference/seminar papers at creativeflightjournal@gmail.com

Posthuman Storytelling: AI, Erasure, and the Ethics of Creative Collapse

 


Posthuman Storytelling: AI, Erasure, and the Ethics of Creative Collapse

 

Dr. Prajnajyoti Dutta,

State Aided College Teacher,

Department of English,

Cooch Behar College,

West Bengal, India.

 

Abstract: Artificial intelligence (AI) as a means of creative authorship has drastically changed the world of storytelling, reshaping how we think about who creates, what counts as original, and what it means to be human in the process.This paper dives into the rise of posthuman storytelling, zeroing in on AI-generated short fiction and highlighting the underlying themes of erasure and creative collapse. Using posthumanist theory and Emmanuel Levinas’s ethical philosophy, the paper discusses that when AI takes over the narrative space, it not only redefines creativity butit also pushes humans out of the picture.The term “creative collapse” sums up this new mess: narrative authority gets scattered, unstable, and hard to pin down ethically once algorithms start spinning stories.The paper further explores how AI models thriving on vast datasets inherently leads to the erasure of the human being from the art of storytelling because the AI often tells stories that reflect the dominant perspectives and voices in society, while ignoring or invalidating those of minority groups and individuals with different experiences.Furthermore, the stories created by artificial intelligence often reinforce the existing social and cultural inequalities within the world, under the guise of introducing innovation to the storytelling process.Through analysing AI-created stories and story elements, the paper makes the case for a critical engagement with AI as both a technological and cultural force. In the end, the paper calls for a new ethical approach; one that puts responsibility, inclusivity, and a clear recognition of the ‘Other’ in the shifting landscape of posthuman storytelling.

Keywords: Posthumanism; AI storytelling; creative collapse; authorship; algorithmic bias; minority erasure; ethics; alterity; digital humanities; narrative theory

Since time immemorial, storytelling has been considered one of the most distinctly human acts, it has been regarded as a way of making sense of the world, preserving memory, and expressing identity. However, with the advent of artificial intelligence (AI) as a medium capable of generating stories has altered our perception of storytelling.Machines are now capable of generating narratives that are similar in style, structure, and emotion to the stories created by humans, presenting fundamental questions: Who is the author? What does this mean for human creativity? Which voices will be heard and which will be absent?These are just some of the questions that must be considered regarding the domain of posthuman storytelling, wherein the distinctions between humans and machines begins to dissolve within the context of the stories that are told. This paper dives into what happens when humans and machines start sharing the role of storyteller. The rise of AI-generated narratives leads to what may be called creative collapse, a condition in which traditional ideas of originality, authority, and ethical responsibility become unstable. When AI takes the stage, our usual ideas about originality, creative authority, and who’s responsible for a story start slipping out of reach. Although, AI brings new opportunities to storytelling, but there's a risk too: it could overshadow the human voices that matter most, especially those that already struggle to be heard.

            The concept of authorship has undergone a significant transformation over time. Roland Barthes theorised the concept of ‘death of the author’, essentially stating that the reader of a work of art determines the meaning of the story rather than the author writing it.Now, with AI in the mix,the author is not just absent but also replaced by an algorithm.AI stories are inspired by existing stories and texts in the world.AI doesn’t really write the way people do. It sifts through repositories of existing text, grabs bits and pieces, and stitches them together in new shapes.Thus, AI stories are derivative but often presented in ways that make them seem original.The shift from human author to an algorithmic writer raises the question of the responsibility for the story produced by the machine.If a machine produces a story,who is responsiblefor its content?The person who programmed it? The people who wrote the data it learned from? Or maybe the user who hit the ‘generate’ button?This scattered responsibility is right at the heart of what some call a creative collapse.

            Creative collapse refers to the breakdown of the relationship between the author, the story, and the meaning of the story. In traditional stories, the author creates the story and the story expresses the meaning of the author or the human being who created the story. AI disrupts this relationship.AI stories have no relationship with intention or experience. While they may appear to have meaning, the meaning is merely simulated. The generated story appears to be created by a human being but is actually simulated and bereft of any relationship to human consciousness.Furthermore, there is an oversaturation of stories generated by AI. When stories can be produced endlessly and instantly, their value and significance may diminish.The uniqueness of storytelling which was once intertwined with human creativityhas also been diluted by the number of stories being generated by AI.

            One of the most pressing concerns with AIstorytelling is the issue of erasure. The datasets upon which AI models are trained inherently contain biases and hierarchies that already exist within society. As a result, AI tends to reinforce those prevailing narratives and features while ignoring alternative viewpoints.This issue is especially important when it comes to short stories, which have always been a place for different voices to be heard.AI-generated narratives risk undermining this diversity by privileging widely available, mainstream data. For instance, stories that reflect the norms of the dominant language and culture will be more likely to be generated, there may be underrepresentation of the voices of those that use minority languages, stereotypes embedded in data can be reproduced and amplified.Thus, AI storytelling can potentially reinforce the existing social and linguistic inequalities. The lack of inclusion of stories and voices of marginalized groups in the datasets results in their lack of representation within the stories that are generated by these AI language models.

            Emmanuel Levinas’s ethical philosophy addresses these concerns to show that we must have a sense of responsibility for the "Other."For Levinas, ethics begins with the recognition of the Other’s irreducible difference and the obligation to respond to it.Several significant issues arise from the use of AI for storytelling.Will AI have the ability to recognize the Other? Will it be capable of being ethically responsible?What happens when storytelling becomes detached from human accountability?As a machine without consciousness or moral understanding, AI cannot be responsible. It may mimic responsible behaviour based on the information it has been given. However, there is an ethical gap in the fact that AI can create stories without any sense of responsibility.In relation to Levinas' ethical philosophy,the lack of accountability that an AI system exhibits is a serious issue; AI creates a "disconnected" act of storytelling, which is devoid of ethical connection between selves and Others, and replaced by an algorithmic representation of self and Other in a storytelling process. Thus, storytelling loses its sense of accountability when approached through the idea of AI.

            The growth of AI-based methods of storytelling represents part of a larger shift towards posthumanism,which challenges the centrality of the human in knowledge and culture.Posthumanism recognizes the role of technology in shaping human experience and questions the boundaries between human and machine.Nevertheless, the decentering of the human needs to be treated cautiously. Although it creates opportunities, there is a danger of neglecting human agency and subjectivity. In storytelling, this could result in an environment where human perspectives take second place to machine narratives. Overall, posthumanism in storytelling presents a paradox.While it creates new possibilities for storytelling, it also poses a threat to the very essence of storytelling.

            The aesthetic features of AI-generated stories include repetitive patterns, absence of emotional depth, discontinuity and fragmentation. These features are part of the new aesthetic in today’s age of artificial intelligence. Some have even labelled this the “glitch aesthetic” in relation to artificial intelligence. While this is creatively interesting, the lack of deep emotional resonance raises the question of whether or not a story without the author’s experiences can genuinely resonate with the readers, or if it merely simulates such a feeling.Given these challenges, it is imperative to develop an ethical framework for AI storytelling. Such a framework would include aspects such as transparency in acknowledging AI-generated content, inclusivity in the datasets used to train AI systems, accountability for potentially harmful content generated by AI, human intervention in ensuring that AI remains a tool rather than a replacement. Most importantly, the ethical framework for AI storytelling should focus on the importance of recognizing the voices of marginalized groups and using AI as a tool to tell diverse stories and give everyone access to storytelling.

            The emergence of AI as a storytelling agent marks a turning point in the history of narrative. While it offers exciting possibilities, it also introduces significant ethical and cultural challenges. The concept of creative collapse captures the instability of authorship, meaning, and responsibility in this new landscape. At the heart of these challenges lies the question of erasure. As AI systems generate narratives based on existing data, they risk reproducing and intensifying inequalities, particularly for marginalized communities. Addressing this issue requires not only technological solutions but also ethical reflection. Drawing on Levinasian ethics, this paper has argued for a reorientation of storytelling toward responsibility and recognition of the Other. In a posthuman age, the task is not to reject technology but to engage with it critically, ensuring that the future of storytelling remains inclusive, ethical, and deeply human.

Works Cited

Barthes, Roland. “The Death of the Author.” Image-Music-Text, translated by Stephen Heath, Hill and Wang, 1977, pp. 142–48.

Levinas, Emmanuel. Totality and Infinity: An Essay on Exteriority. Translated by Alphonso Lingis, Duquesne UP, 1969.

---. Otherwise than Being, or Beyond Essence. Translated by Alphonso Lingis, Duquesne UP, 1998.

Braidotti, Rosi. The Posthuman. Polity Press, 2013.

Hayles, N. Katherine. How We Became Posthuman: Virtual Bodies in Cybernetics, Literature, and Informatics. U of Chicago P, 1999.

Benjamin, Walter. “The Work of Art in the Age of Mechanical Reproduction.” Illuminations, Schocken Books, 1969.

Floridi, Luciano. The Ethics of Information. Oxford UP, 2013.

Manovich, Lev. The Language of New Media. MIT Press, 2001.

Couldry, Nick, and Ulises A. Mejias. The Costs of Connection: How Data Is Colonizing Human Life and Appropriating It for Capitalism. Stanford UP, 2019.