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The Role of Law in Child Exploitation in Victorian Era: A Study of Charles Dickens’ Oliver Twist and David Copperfield

 


The Role of Law in Child Exploitation in Victorian Era: A Study of Charles Dickens’ Oliver Twist and David Copperfield

Dr. Debajit Deb

Assam University Silchar,

Assam, India

 

Abstract: The Victorian era, beginning in 1750, marked a significant transformation in British society due to the Industrial Revolution. The growth of cities like London marked a shift from a land-based lifestyle to a modern economy based on manufacturing and financial institutions. This period also saw a rise in poverty, diseases, and social problems, leading to economic depression. One of the worst social effects was child labor, with children from poor families forced into work at a young age. This forced them to work for money, a situation that became a main area of social reform in the nineteenth century. Chapman (1970) in his work had mentioned that “The Victorian Age was an age of great complexity, change, contradictions, of doubt and skepticism, of misery and welfare, of extremity in almost every aspect of life” (p 22). The Victorian era was characterized by the use of children to help develop the economy, with Charles Dickens being one of the writers who portrayed the extreme poverty and its effect on children in his works. This study examines the role of law in children exploitation with special reference to “Oliver Twist” and “David Copperfield”, highlighting his empathy for the poor and oppressed, and how his heroes’ experience their own personal struggles.

Keywords: Victorian era, Child labor, Exploitation, Struggles and Economy

1.0.Introduction

Charles Dickens (1812–1870), a renowned Victorian author, rose from childhood poverty to become a prolific writer. He used fiction to criticize Victorian economic, social, and moral abuses. He demonstrated compassion and empathy towards vulnerable society segments, contributing to social reforms. Hamadamin and Ahmed (2023) had mentioned that “The novels of Charles Dickens (1812-1870) are not merely novels to be read rather they are reflections of an age. They give a faithful picture of a life with all its varieties and complexities, misery and suffering, ironies and paradoxes, physical and spiritual loss” (p. 1135).  His deep commitment stemmed from traumatic childhood experiences and a strong social conscience. Charles Dickens' novels often criticize Victorian society, focusing on the suffering of Victorians, particularly children, and child labor during this time. His interest in the social picture of his age stems from his childhood experiences, particularly in London. Dickens's works, such as “David Copperfield” and “Oliver Twist”, depict the lives of the poor and the cruelty they endured. David Copperfield is a story of abuse and neglect, while Oliver Twist is a story of a poor child who is forced into a workhouse. The novels aim to highlight the plight of the poor and their exploitation, using exaggerated suffering and sentimentality to highlight the real needs of the poor. In “David Copperfield”, Charles Dickens highlights the issue of child labour through the story of David Copperfield, a young boy who is sent to work in his stepfather's warehouse, Murdstone and Grinby. The story highlights the senseless and useless nature of sending young children to work, as it is a waste of human beings. Dickens's imagination is reflected in Oliver Twist, where he attacks the effects of the workhouse system and its effects on children. The novel also explores aspects of Victorian society and culture, such as prisons, workhouses, schools, money, poverty, fallen women, orphans, and crowds. Dickens's focus on social problems and personal emotion is evident in his work, which reflects the growing interest in presenting social problems rather than analyzing personal emotions. The story also highlights the child labor of David Copperfield, as his stepfather, Mr. Mudstone, suggests that he could provide employment to other boys in the wine trade.

1.1 Review of Literature

On the basis of review of literature of this present topic following works are noticed by the researcher:

Elsiddig and Abdalla’s (2021)  “The Theme of Suffering in Charles Dickens’s Literary Works with Reference to His Novel "Oliver Twist" in their paper they have mentioned that the poor law, imposed by the wealthy, led to the poor receiving less support from the middle and upper classes, and disproportionately affecting the poorest by enforcing them into terrible workhouses.

Carter and McRae’s  (2001) The Penguin Guide to English Literature  in their book they claim that  Charles Dickens, a popular novelist and humorist, wrote thirteen novels and short stories, addressing societal issues. His first series, Sketches, was published in 1836, showcasing his popular light, humorous writing style that had been popular for over a century.

Gholami, &  Joodak’s (2014) “A social Study of Poverty in Charles Dickens’ Hard Times, Bleak House and Oliver Twist” they   claim that “Charles Dickens, a Victorian novelist, is renowned for his realistic portrayal of suffering, poverty, and the poor during the industrial revolution. His works, such as Oliver Twist, highlight the struggles of the lower class and the stately life of the middle class and aristocracy.”  Dickens' research on crime and social issues led him to scrutinize the working class's living conditions and the poor law system.

Huang’s (2016) “Charles Dickens’ Critical Realism in David Copperfield.” He has mentioned in his paper that David Copperfield, a novel by Dickens, explores the true nature of society through the protagonist David's grief and joy in union. It exposes the corruption of money on marriage, family, and society, highlighting the evils of money. The novel also critiques the social problems of the Queen Victoria era, revealing the hidden beauty of the curtain society. Studying the critical realism in David Copperfield is crucial for understanding Dickens's emotional creation.

1.2. Methodology                                                                                                                              

The study aims to examine the role of law in child exploitation in the Victorian era through a qualitative research approach. The methodology involves analyzing key passages from Charles Dickens' “Oliver Twist” and “David Copperfield”, focusing on legal exploitation, the functioning of the legal system. Thematic coding will be used to identify recurring themes such as, child agency, representation of legal figures, social critique, and narrative function. Historical-legal context will be established through primary historical research on Victorian-era laws and institutions, as well as secondary source consultation. Focus will be given to depict the legal exploitation in “Oliver Twist” and “David Copperfield”. The study aims to demonstrate that Dickens' novels serve as powerful critiques of the Victorian legal framework.

 

1.3. Objective

The study focuses on the role of law in child exploitation in Victorian England, specifically in Charles Dickens' Oliver Twist and David Copperfield. The research aims to analyze the legal framework, its practical application, and Dickens's literary critique of the period. The study will examine the various forms of child exploitation depicted in the novels, the disparity between the law's intended intent and its actual application, and Dickens's critique of the judiciary.

 

1.4. Significance of the study

The research "The Role of Law in Child Exploitation in Victorian Era: A study of Charles Dickens’ Oliver Twist and David Copperfield" explores the complex interplay between societal structures, legal frameworks, and social injustices against children in 19th-century England. It provides a critical perspective on the failures of Victorian Law and institutions, particularly the Poor Law of 1834, which was criticized in Oliver Twist. The research validates Charles Dickens's role as a major social reformer, highlighting his literary techniques to denounce injustice and advocate for child protection.

 

2.0. Poor Law and Child Exploitation in David Copperfield & Oliver Twist

This research examines how Victorian era legal frameworks and societal structures led to child abuse through analyzing works like "Oliver Twist" by Charles Dickens in 1837-39 and "David Copperfield" published between 1849-50.  Estiyana  (2016) stated that “Child exploitation needs to study because child exploitation is still often found in any analization. Many children work in command other and they lost childhood that it takes their happiness as a child” (p. 2). This research investigates how particular legal frameworks and governmentally sanctioned entities, especially concerning issues of poverty and social assistance programs, fostered environments conducive to child abuse. In literature, Charles Dickens fiercely condemned the ‘New Poor Law’ enacted in 1834 and its implementation through the forced labor camps known as workhouses. Legislation aimed at discouraging individuals from applying for parish assistance through stringent living arrangements in workhouse institutions designed so closely resembling prison environments to ensure maximum hardship and punishment as akin to incarceration as feasible. The provisions for destitute individuals were addressed through the establishment of workhouses in Victorian England as can be witnessed from Oliver Twist.

Oliver Twist portrays the workhouse neither as an altruistic refuge nor as a sanctuary free from exploitation; instead, it is depicted as a site where children suffer prolonged neglect and abuse under oppressive conditions. Oliver's children suffer from being underfed, isolated from family members, abused physically, and exploited in hazardous work conditions. This practice was legitimized by the legal system as part of its welfare program. The legal framework permitted poor youth to serve as indentured servants in different crafts. Often used as an excuse to exploit children through forced work, such as how Oliver ends up being bought by cruel undertaker Mr. Sowerberry who abuses him even more and its resulting child exploitation, highlighting the abuse of children like Oliver, who are forced into grueling labor, criminal activities, and inadequate living conditions in workhouses designed to punish the poor. The looseness of laws regarding factory conditions was evident even before specific acts like the 1833 Act came into effect; these initial regulations frequently lacked enforcement rigor or did not cover every industry involved. Despite financial constraints for many households, children in lower socioeconomic backgrounds continued working early on, typically beginning as toddlers rather than adults.

Charles Dickens's novel, David Copperfield, explores the suffering and exploitation of children in 19th-century Victorian society. David's childhood is marked by abuse and neglect by his cruel stepparents, the Murdstones, and his mother, Clara Copperfield. He is sent to London to work in a wine-bottling factory, Murdstone and Grinby's, where he experiences starvation and humiliation. David also suffers at Salem House boarding school, where he is mistreated by the headmaster, Mr. Creakle, and the manipulative clerk, Uriah Heep. David's experiences serve as a critique of Victorian society, exposing child labor, private education, and the legal ease with which the powerful could dominate the weak and vulnerable. His childhood trauma fuels his ambition and gives him a strong sense of moral justice, particularly for the poor and oppressed. The novel also highlights the plight of the weak, highlighting the vulnerability of children in Victorian society. This represents an instance of exploitative economics and violates children's entitlements to quality schooling and safeguarded youthhood experiences. The disintegration of childhood purity underscores how insufficient safeguards against child exploitation allowed minors to be viewed as immature workers fit only for labor-intensive tasks, thus eroding their inherent rights towards growth and advancement.

 

2.1. Final Discussion

 

Charles Dickens' novels, Oliver Twist and David Copperfield, are powerful social critiques that expose the damaging interplay between 'societal structures', 'legal frameworks', and the resulting 'social injustices' against children in 19th-century England. These novels serve as a 'voice for the marginalized', using the life stories of their young characters to prosecute the systemic brutality and nastiness of the Victorian era.

 

In “Oliver Twist”, Dickens highlights how rigid class structures and pervasive societal indifference directly contribute to the suffering of children. ‘The Poor Law Amendment Act of 1834’ and its administrative body, the workhouse, are criticized for their societal structure, which systematically dehumanizes and exploits children by denying them adequate food, education, and compassion. The criminal underworld, a parallel societal structure, thrives by preying on the very children the legal system and workhouses neglect. Characters like Fagin, the Artful Dodger, and Nancy demonstrate how poverty and a lack of support or education push vulnerable children into a life of crime and vice. In “Oliver Twist”, characters like Mr. Bumble, the beadle, and the members of the parish board show how cold and self-centered the bureaucracy was when enforcing the Poor Law. They treated people with cruelty and greed, and their actions reveal how the legal system failed to show kindness and fairness. David Copperfield, based on Dickens's childhood experience, critiques the societal acceptance of child labor and the psychological and physical injuries caused by it. The Powerless of the Law portrays the legal and local governance apparatus as being controlled by hypocritical, self-serving, and unfeeling individuals, further highlighting the injustices faced by children.

 

In David Copperfield, David's stepfather, Mr. Murdstone, and his sister treat him with abuse, and this is allowed by the law. Murdstone's "firmness" is really just a cover for his harsh and harmful behavior. David has no way to fight back because the law supports the authority of adults over children, especially in a patriarchal society. Dickens uses the personal struggles of his characters to show a bigger picture of society, which helps highlight his desire for change. Collins (1965) in his book had wrote that “Dickens exposed and satirized the shortcomings of the Victorian educational system through this school-master and his school where not only David, but all children were spiritually and physically damaged by the institution which was supposed to prepare them for life, whereas. Ironically, it suppressed and destroyed them” (p 123). Both main characters, Oliver and David, have a natural goodness that helps them stay innocent even through terrible experiences. This choice is important for the story's message:

 

Oliver stays good even though he is surrounded by criminals. David keeps his values despite the hardship in the warehouse and the cruel treatment from Murdstone. Their ability to stay pure shows that children are not naturally bad, but they are harmed and broken by the harsh environment created by society and the legal system that doesn't care. David Copperfield is partly based on Dickens's own life, which gives readers a personal and emotional look at being neglected and facing financial problems. This makes the unfairness feel close and real. Oliver Twist uses a more symbolic approach, using shocking images like the workhouse and the gallows (where Bill Sikes dies) to make people angry about the failures of England's institutions in the 1900s. By telling the stories of these two young characters, Dickens made his Victorian audience face the moral problems in their social and legal systems, which helped lead to future reforms.

 

 

 

 

3.0. Conclusion

Charles Dickens's novels Oliver Twist and David Copperfield are characterized by their focus on social justice, societal institutions, and the importance of moral character, kindness, and human connection over wealth or class. Oliver Twist exposes the harshness of the Victorian Poor Law Amendment Act of 1834 and the workhouse system, arguing that poverty is a societal problem rather than a moral failing. The moral message is one of perseverance and inherent goodness, emphasizing the need for human compassion. David Copperfield, a Bildungsroman, focuses on personal growth and the importance of a loving home and affection. The novel critiques cruelty and exploitation, highlighting the cruelty of the weak and helpless. Characters of lower class are often morally superior to the wealthy and educated, while characters like Uriah Heep and Mr. Murdstone use their social positions for malice and manipulation. Charles Dickens' Oliver Twist and David Copperfield novels emphasize the importance of examining and reforming society, valuing true goodness, and fostering hope for redemption in even the darkest environments. They call for action against injustice, abuse, and bureaucracy, emphasizing the value of moral integrity and compassion.

Works Cited

Collins, Philip.  Dickens and Crime. MacMillan, 1965.

Chapman, Raymond. The Victorian Debate. Weidenfield & Nicolson, 1970.

Carter, R. and McRae, J.  The Penguin Guide to English Literature. Penguin Books, 2001.

Estiyana,  Aulia. Child Exploitation Reflected in Charles Dickens’ Oliver Twist Novel (1838): A Sociological Approach. Unpublished Bechlor Degree Dissertation Submitted to Department of Enlish. Muhammadiyah University of Surakarta 2016.

Elsiddig, Ali. Mohammed. & Abdalla, Yassin. Abdalla. “The Theme of Suffering in Charles Dickens’s Literary Works with Reference to His Novel "Oliver Twist".  Research Journal of English Language and Literature (RJELAL). vol.9, no. 2, 2021 (April-June).

Gholami, Bakhsh, and Joodaki, Hassein Abdul.  “A Social Study of Poverty in Charles Dickens’ Hard Times, Bleak House and Oliver Twist Yazdan.” Sociology, 2014. url={https://api.semanticscholar.org/CorpusID:51081795.

Hamadamin, Othman.  Rizgar. &  Ahmed,  Kamal. Shirin.  “Children as Social Victims in Charles Dickens’ Oliver Twist and David Copperfield.”  Qalaai Zanistscientific Journal  A Scientific Quarterly Refereed Journal, Lebanese French University – Erbil, Kurdistan, Iraq, vol. 8, no 1, Spring 2023.

 Huang, Xiaohui. “Charles Dickens’ Critical Realism in David Copperfield.” Advances in Social Science, Education and Humanities Research.  4th International Conference on Management Science, Education Technology, Arts, Social Science and Economics volume 85. (MSETASSE 2016)