☛ Call for Paper for Special Issue on Cinema and Culture (Vol. 7, No. 3, July, 2026). Last Date of Submission: 30 June, 2026.
☛ Creative Section (Vol. 7, No. 2, April 2026) will be published in May, 2026. Keep visiting our website for further updates.
☛ Colleges/Universities may contact us for publication of their conference/seminar papers at creativeflightjournal@gmail.com

Writing as Resistance: Patriarchal Power and Identity Formation in Educated by Tara Westover

 


Writing as Resistance: Patriarchal Power and Identity Formation in Educated by Tara Westover

 

Parmjeet Kaur,

Assistant Professor of English,

SCD Government College Ludhiana, 

Punjab, India.

 

Abstract: This paper delves into the patriarchal power dynamics and identity reclamation explored in Tara Westover’s memoir, Educated. Raised in a secluded, patriarchal family, Westover faced restricted access to education, autonomy, and self-expression. Her relentless pursuit of education stands as a profound act of resistance against patriarchal authority, which sought to control her beliefs, choices, and self-perception. Through intellectual awakening, critical reflection, and learning, she dismantled the imposed ideological structures. The memoir itself becomes a creative intervention, allowing Westover to reconstruct her experiences, reclaim her voice, and assert her identity. By chronicling her transformation from obedience to self-awareness, she subverts the power structures that confined her identity. Ultimately, this analysis underscores the radical power of education and storytelling in resisting patriarchal domination, redefining identity, and embodying the principle that creation is resistance.

Keywords: Patriarchal authority, Identity reclamation, Educational resistance, Self-awareness, Storytelling, Memoir, Creative resistance

Introduction

Tara Westover’s Educated (2018) serves as a vivid illustration of the concept of patriarchy as defined by sociologist Sylvia Walby. She argues that female oppression is perpetuated through an intricate web of social structures, encompassing the domestic sphere, paid employment, and cultural institutions. This systemic approach provides a critical lens through which to interpret the pervasive gendered violence and institutional control depicted in Westover’s memoir Educated where Tara recounts her upbringing in a strict survivalist Mormon household in rural Idaho, where patriarchal authority dictated every facet of family life. Her father, Gene, wielded absolute control, rejecting formal education, modern medicine, and government institutions, by refusing to register his children for birth certificates, vaccinations, or schooling, isolated them from the outside world and reinforced his patriarchal dominance. Gene’s authority exemplifies Walby’s concept of patriarchal control over household production and family structure.  Tara and her siblings were forced to work in the family junkyard under dangerous conditions instead of attending school, demonstrating how patriarchal power regulates labour and suppresses individual autonomy.  Furthermore, patriarchy operates through epistemic violence, restricting access to knowledge. Gene Westover rejects formal schooling, labeling it corrupting and leading children away from God.  When Tara had some time for reading after work, Gene would try to distract her from books, thinking that if he could just distract her for a few years, the danger would pass.  He created jobs for her to do, whether they were necessary or not. Gene justified this control through religious rhetoric, presenting himself as the family’s protector against a corrupt external world. He claimed public school was a ploy by the government to lead children away from God.  He said, “I may as well surrender my kids to the devil himself, as send them down the road to that school (12). In his view, it is his job to protect them from the wicked world. These claims mask domination as protection, reinforcing a system where obedience to the patriarch became a moral obligation.  Tara’s lack of formal education illustrates how patriarchal systems control cultural institutions, particularly knowledge and learning. Gene’s rejection of schools and universities prevented his daughters from accessing intellectual independence, reinforcing traditional gender expectations that prioritized obedience over education.. As a result, Tara grows up without basic academic knowledge. Tara’s pursuit of higher education becomes an act of resistance against this patriarchal structure, symbolizing a struggle to reclaim autonomy and identity. She starts secretly preparing for the ACT exam. It becomes a radical act of resistance against the patriarchal system that controls knowledge and intellectual development. This restriction on education highlights how patriarchal authority seeks to limit women’s autonomy by controlling cultural institutions like schooling and knowledge production.

The memoir also exposes the workings of patriarchy through repeated acts of male violence, most notably embodied in Tara’s brother Shawn Westover. Shawn’s abuse is both physical and psychological and becomes normalized within the family. In several instances, he violently grabs Tara by the hair, drags her across the room, and calls her degrading names. One particularly disturbing incident occurs when Shawn shoves Tara’s head into a toilet, forcing her face towards the water while mocking and humiliating her. At other times, he chokes her or pins her down, asserting his physical power over her. These assaults are not isolated moments of anger but repeated patterns of domination that create a climate of fear and silence. Despite the severity of the abuse, Tara’s attempts to seek support are dismissed by her father, Gene Westover. Instead of confronting Shawn’s behaviour, he downplays Tara’s suffering and reframes the incidents as misunderstandings or exaggerations. His refusal to acknowledge the violence reinforces the hierarchy of male authority within the family, where the male voice is trusted and protected while the female voice is doubted or ignored. As a result, Tara is pressured to question her own experiences and remain silent about the abuse. The internalization of patriarchal power structures begins early, shaping gendered subjectivity in ways that appear “natural” yet are deeply constructed. As Tara reflects, “From the moment I had first understood that my brother Richard was a boy and I was a girl, I had wanted to exchange his future for mine. My future was motherhood; his, fatherhood… To be one was to be a decider. To preside. To call the family to order. To be the other was to be among those called” (245). This articulation reveals how authority is structurally aligned with masculinity, while femininity is relegated to compliance and participation.

      This dynamic exemplifies Kate Millett’s concept of “patriarchal ideology” as outlined in her 1970 book, Sexual Politics. Millett contends that patriarchal system legitimizes male dominance while portraying female resistance as deviant or disruptive. In Tara’s case, Shawn’s violence is tolerated because it aligns with the prevailing belief that men hold authority within the family. Women are expected to endure and remain submissive. Consequently, Tara’s attempts to resist or speak out are misinterpreted not as legitimate self-defence but as acts of disobedience. Through these experiences, the memoir vividly demonstrates how patriarchal ideology operates not only through overt violence but also through silence, denial, and the normalization of female suffering within the family structure. Thus, Educated vividly illustrates how patriarchal power functions as a set of beliefs and a lived social system that shapes women’s bodies, voices, and opportunities. Tara’s mother, Faye, exemplifies women’s complicity in patriarchal structures. She gradually accepts her husband’s authority despite witnessing Shawn’s abuse of Tara. Faye urges Tara to maintain family harmony and accept male authority, insisting that the father’s word is final. This reflects how patriarchal ideology normalizes within the household.

In Educated, Tara Westover also portrays identity reclamation as a gradual process shaped by resistance and self-creation. Identity reclamation refers to the reconstruction of one’s sense of self after it has been suppressed by dominant authority. Feminist psychologist Jean Baker Miller argues in her book, Toward a New Psychology of Women that women reclaim their identities by rediscovering their voices and experiences after years of silencing within patriarchal structures. Tara’s journey illustrates this process as she gradually resists the restrictive ideology imposed by her father and constructs a new identity through education and intellectual awakening. Tara grows up under her father’s strict authority, whose survivalist beliefs and distrusts of institutions shape the family’s worldview.  In this environment, her identity is defined by obedience, loyalty to her family, and submission to male authority.  Without formal schooling and taught that schools, hospitals, and governments are corrupt, her understanding of the world is limited and shaped by her father’s ideology, leaving little room for independent thought or self-definition.  Tara’s journey towards identity reclamation begins with acts of intellectual resistance.  Despite her lack of formal education, she secretly prepares for the ACT exam by teaching herself basic subjects like mathematics, grammar, and history from borrowed books.  Her determination to take the exam and eventually gain admission to Brigham Young University marks a crucial moment of defiance against the patriarchal authority that had confined her intellectual growth.  By choosing education, Tara challenges the belief that knowledge outside the family is dangerous and begins envisioning a life beyond the ideological boundaries of her upbringing.

During her university days, she undergoes a profound awakening to the limits of her knowledge. A pivotal moment occurs during a history lecture when the professor discusses the Holocaust. Unfamiliar with the term, Tara raises her hand to seek clarification. Her classmates’ shocked reactions reveal the isolation of her upbringing and the depth of the knowledge she had been deprived of. Although the experience is deeply humiliating, it becomes a turning point that motivates Tara to read extensively and fill the gaps in her understanding. Through this process, education transforms from an act of resistance against the intellectual restrictions of her childhood into a tool for constructing a new intellectual identity. As Tara progresses academically, education becomes a means of self-creation. Her opportunity to study at the University of Cambridge exposes her to fresh intellectual and cultural perspectives that foster critical reflection. In this stimulating environment, she begins to examine her past more critically and question the patterns of power that shaped her childhood. Through academic study and mentorship, Tara acquires the language and analytical frameworks necessary to comprehend the dynamics of authority, control, and silence that permeated her family.

This new perspective becomes particularly significant when Tara starts to question the abuse her brother Shawn Westover inflicted on her. For years, she had been conditioned to view Shawn’s violent behaviour as normal sibling conflict. However, exposure to new ideas and supportive voices enables her to recognize these incidents as abuse rather than misunderstanding. When she eventually confides in others about Shawn’s behaviour, their reactions help her realize that the violence she experienced was neither acceptable nor justified. This realization challenges the patriarchal narrative within her family that had normalised male dominance and female silence.  The process of identity reclamation reaches a critical point when Tara confronts her father about the abuse.  Instead of acknowledging her experiences, he denies the violence and insists that Tara must seek forgiveness for accusing her brother. Faced with this ultimatum, Tara had to choose between loyalty to her family and loyalty to her own memories. Accepting her own interpretation of events becomes an act of resistance, as it requires her to reject the authority that had long defined her identity. Although this decision brings emotional pain and the risk of estrangement, it also affirms her intellectual and personal autonomy. Moreover, Tara’s journey demonstrates that identity reclamation involves both resistance and reconstruction. Her efforts to educate herself, confront gaps in her knowledge, reinterpret her experiences of abuse, and challenge her father’s authority all contribute to the gradual formation of a new identity. Through education and intellectual curiosity, Tara develops a sense of self grounded in critical thinking, independence, and personal agency rather than obedience and silence. In this way, Educated reveals that reclaiming identity within patriarchal structures is a complex and often painful process that requires both the courage to resist oppressive authority and the determination to create a new understanding of oneself.

Another pivotal moment in Taras journey of identity reclamation comes when she begins to view her fathers behaviour through the lens of psychological understanding. During her academic studies, she encounters the concept of BipolarDisorder and starts noticing similarities between the symptoms described in psychological literature and the extreme mood swings exhibited by her father, Gene Westover. In her own words, “Fourteen years after the incident with the Weaver, I would sit in a university classroom and listen to a professor of psychology describes something called bipolar disorder. Until that moment I had never heard of mental illness. I knew people could go crazy-theyd wear dead cats on their heads or fall in love with a turnip but the notion that a person could be functional, lucid, persuasive, and something could still be wrong had never occurred to me.”  Throughout her childhood, Genes behaviour was marked by intense paranoia, apocalyptic predictions, and sudden shifts between affection and anger. As a child, Tara interpreted these actions as divine inspiration and unquestionable authority. However, her exposure to academic knowledge allows her to critically reconsider these experiences.  Realising her fathers behaviour might be linked to mental illness helps Tara separate her identity from the unquestioned authority he once held. This reinterpretation is crucial because it enables her to understand that the worldview imposed upon her was shaped not only by ideology but also by instability and fear.

The culmination of Tara’s journey of resistance and self-creation is her achievement of a doctoral degree from the University of Cambridge.  This PhD represents far more than academic success; it signifies a complete transformation of Tara’s identity.  A girl who grew up without formal schooling and isolated from mainstream knowledge ultimately becomes a scholar capable of producing original research and contributing to intellectual discourse. This accomplishment reflects the full extent of her identity reclamation. Through education, Tara reconstructs herself not as a submissive daughter within a patriarchal household but as an independent thinker and academic.

Tara’s doctoral achievement represents the pinnacle of self-creation. By embracing knowledge and critical inquiry, she transcends the limitations imposed by her upbringing. The PhD is both a personal triumph and a symbolic victory, signifying the triumph of intellectual freedom over silence, curiosity over fear, and self-definition over patriarchal control. This transformation is accompanied by a profound internal conflict. Tara must choose between loyalty to her father’s worldview and her intellectual independence. After completing her doctoral studies, she establishes boundaries with her family, symbolically rejecting the identity imposed by patriarchal authority. Thus, Education serves as a powerful form of resistance against patriarchal control throughout the memoir. Even before university, Tara secretly studies for the ACT exam using borrowed textbooks, defying the prohibition against schooling that governed her childhood. Her intellectual journey continues at university, where exposure to literature, philosophy, and history enables her to critically evaluate the ideological structures that shaped her upbringing. Through dialogue with professors and peers, Tara begins to dismantle her father’s binary worldview, which divided the world into righteous believers and corrupt outsiders. As her knowledge expands, Tara experiences increasing self-awareness, viewing her past from a new perspective. She recognise how fear, religion, and patriarchal authority controlled her life, allowing her to reinterpret traumatic memories as manifestations of abuse and domination. Education becomes both an intellectual and emotional tool, empowering her to reconstruct her identity on her own terms.

In the memoir, Educated, Tara Westover also presents writing not just as personal storytelling but also as a means of reconstructing memory and truth. French feminist theorist Hélène Cixous, in her 1976 work The Laugh of the Medusa, argues that women must write their experiences to challenge the silence imposed by patriarchal cultures. Westover’s memoir embodies this idea by transforming fragmented memories into a coherent narrative that questions who holds the authority to define reality.

One of the most striking aspects of Educated is Tara’s struggle with conflicting memories. Throughout the memoir, she frequently acknowledges that her recollections differ from those of her family members. For instance, when she recalls the abuse inflicted by her brother Shawn Westover, other family members either deny the incidents or claim they remember them differently. Instead of presenting her memories as absolute truth, Tara openly reflects on the uncertainty surrounding them. She notes that some family members insist certain events never happened. By including these contradictions, Westover reveals how memory itself can become a contested space where power determines which version of events is accepted. This tension is particularly evident when Tara revisits childhood incidents involving her father, Gene Westover. Gene often reinterprets past events to reinforce his authority, presenting himself as a protective and divinely guided patriarch. However, Tara’s memoir challenges this narrative by presenting alternative interpretations of the same experiences. For example, she describes dangerous accidents in the junkyard where family members were severely injured but denied medical treatment due to Gene’s distrust of hospitals. While Gene framed these decisions as acts of faith and independence, Tara’s narrative reveals the fear and risk that accompanied them. By revisiting these events through writing, she exposes the gap between ideological justification and lived experience. Another crucial aspect of Westover’s storytelling is her openness to portraying uncertainty and doubt. Rather than presenting a fixed or authoritative narrative, she repeatedly questions her own memories and acknowledges the challenges of reconstructing the past. This approach underscores that memoir isn’t just a record of events but an attempt to understand and interpret them. Through this process, writing becomes a space where Tara navigates competing versions of truth and gradually forms her own understanding of her past.

The memoir thus demonstrates how storytelling can serve as a site of epistemological resistance, challenging dominant narratives and creating space for alternative perspectives. By documenting experiences previously dismissed or silenced, Westover asserts her right to interpret her own life. Writing becomes a way to preserve memories that might otherwise be erased or distorted within family discourse. Ultimately, Educated demonstrates that memoir writing is not just an act of self-expression but also a powerful tool for reclaiming truth. By confronting conflicting memories and acknowledging the complexities of her past, Westover transforms personal recollection into a critical examination of how knowledge and authority are constructed. This memoir effectively shows that storytelling itself can challenge systems that control whose voices are heard and whose experiences are believed. Educated: A Memoir ultimately affirms that education and narrative expression can dismantle oppressive systems.

Tara Westover’s journey from an isolated childhood in rural Idaho to becoming a scholar illustrates how intellectual inquiry enables individuals to question and transcend inherited structures of domination. Through education, Westover develops the critical awareness necessary to confront the ideological constraints of her upbringing. She says,You could call this selfhood many things. Transformation. Metamorphosis. Falsity. Betrayal. I call it an education.” (309-310) Writing her memoir allows her to reclaim authority over her own story, embodying the principle that creating is to resist. By transforming personal experience into narrative, Westover challenges the silence and control that once defined her life. Her story extends beyond personal memoir, demonstrating how knowledge, self-reflection, and creative expression can become powerful tools for resisting patriarchal authority and reconstructing identity.

Works Cited

Butler, Judith. Gender Trouble: Feminism and the Subversion of Identity. Routledge, 1990.

Cixous, Hélène. “The Laugh of the Medusa.” Signs, vol. 1, no. 4, Summer 1976, pp. 875-93.

Connell, Raewyn. Masculinities. 2nd ed., Polity, 2005.

Freire, Paulo. Pedagogy of the Oppressed. Continuum, 1970.

Hooks, Bell. Feminist Theory: From Margin to Centre. South End Press, 1984.

Lejeune, Philippe. On Autobiography. University of Minnesota Press, 1989.

Lorde, Audre. Sister Outsider: Essays and Speeches. Crossing Press, 1984.

Millett, Kate. Sexual Politics. University of Illinois Press, 1970.

Miller, Jean Baker. Toward a New Psychology of Women. 2nd ed., Beacon Press, 1976.

Scott, James C. Domination and the Arts of Resistance: Hidden Transcripts. Yale University Press, 1990.

Smith, Sidonie, and Julia Watson.Reading Autobiography: A Guide for Interpreting Life Narratives. 2nd ed., University of Minnesota Press, 2010.

 Spivak, Gayatri Chakravorty. “Can the Subaltern Speak?” Marxism and the Interpretation of Culture, edited by Cary Nelson and Lawrence Grossberg, University of Illinois Press, 1988, pp. 271-313.

Walby, Sylvia. Theorising Patriarchy. Basil Blackwell, 1990.