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Amitav Ghosh’s Ghost-Eye

 


Amitav Ghosh’s Ghost-Eye

Reviewed by

Saptarshi Das

Independent Researcher

Bankura, West Bengal, India

 


Ghost-Eye | Novel | Amitav Ghosh |

Fourth Estate, 2026, pp. 325, INR 799

 

Ghost-Eye: A Tale of Climate Crisis and Reincarnation

Amitav Ghosh's Ghost-Eye is part of his Sunderban trilogy in which The Hungry Tide and Gun Island came before. Many characters from the earlier books (like Piya, Nirmal, Nilima) from the earlier books reappear in Ghost-Eye. Despite the same setting and some of the old characters returning to the narrative, Ghost-Eye has an independent storyline, and even the first-time readers would easily step into the story.

Ghost-Eye deals with two timelines and two narrative techniques. One timeline is set in the past. It is 1969 Calcutta. This timeline has third-person narrative, and shows how psychologist Dr. Shoma Bose treats a 3-year-old (Varsha Gupta) Marwari girl, who remembers her past life.

The other timeline is Brooklyn 2020, when COVID brings the world to a standstill. It is a first-person narrative by Dinu, the nephew of Dr. Shoma Bose. Dinu gets in touch with a group of environmental activists who trace the case-study of the Marwari girl, written by Dr. Shoma Bose. Now, the present must trace the past and find out what involved the mystery of the reincarnation.

The first part of the novel reads almost like a thriller. Every moment there is suspense and the readers try to guess what might be there behind Varsha Gupta's fondness for fish. Indeed, a wealthy Marwari girl speaking with a dialect and craving fish is a culture shock to the family who attempts to keep it a secret.

Ghosh is a fabulous raconteur and his seamless blending of the two timelines is a masterstroke displaying that the threat to Sunderban ecology will always be there, albeit in new forms. In 1969, it was the artificial cultivation of tiger prawns which threatened the freshwater pond. In 2020, the development of an energy power plant risks the lives and livelihood of the people of Sunderban.

Tipu is a young man and his NGO fights against the proposed power plant. His language (Pops!) seems to suggest that he represents Gen Z and cares for the environment.

Tipu's two eyes have two different colours known as "heterochromia"—which symbolize some people might have two visions—spiritual as well as physical.

Ghosh is known for his indefatigable research and this book is not an exception. It begins with a possible case of reincarnation so Carl Jung, synchronicity—the Petrozavodsk phenomenon—Dr. Ian Stevenson—all the names and terms come into the narrative.

The book also questions the process of knowledge, and hints that often first-hand knowledge is deeper than the bookish ones. The fishing community understands the environment better than the environmentalists.

In the 1960s section, Ghosh wrote about the Communist Movement, to strikes and loadshedding, to capture the mood of the time, which could have been whittled down a bit. Also, Varsha claims that she used to have "dudheswar" rice at home, in her previous birth. Given her poverty, affording dudheswar seems difficult.

Compared to the first part, the second part is less tight and the book has a predictable ending, yet it is a deeply-researched book on a serious topic, written in a beautiful prose which makes it unputdownable.